I noted my admiration for Ruskin Bond in a post that I wrote many months ago. Here is the link for those of you might wish to read it.
The mastery of a writer over his craft lies in his or her ability to dive into the depths of the minds of his characters. And present them in a way that makes the reader identify with the protagonists. It is manipulative, in a nice way of course most of the time. And Bond is a master of that.
Bond's mastery was in full display in the lesson that I helped my son with last night, The Meeting Pool. Rusty, the main protagonist, comes back to a pool that had been a memorable part of his childhood. He and his two friends, Anil and Somi, had spent many years enjoying the innocent pleasures that the pool afforded.
A full ten years later he lands up there, keeping what the author describes as "his part of the pledge" to be back with his friends - only to find that the other members to the compact were not there. The passage of time seemed to have not only obliterated all memory of the pledge from the minds of his friends, but also changed the course of the stream that made the pool as much as it had the "course of the lives" of his friends.
A disappointed Rusty then sees a group of boys splashing and having fun in the river. And then the author says, "(H)e did not really see them. His mind was romping with joy as he saw Anil and Somi splashing about in the shallows of the secret pool."
As I explained the story to my twelve year old son, weary from an evening full of preparation for his exam, I noticed a wistfulness in his sleepy and weary eyes. "That is how I will feel when my friends and I grow up, Dadda?" he asked me, as he yawned and dropped off to sleep. That is the power of a master writer.
In a similar situation would many of us not react like Rusty? The happy days of the past are frozen in our minds like a framed picture. And we wish that the protagonists of that past would just remain as they were. Just like we would not like our children to ever grow out of their toddler days.
As I read through the story I was reminded of another great story by another master craftsman, Tagore's Kabuliwala. In the Kabuliwala's mind his little girl had not grown up until he met the now all grown up Mini. Do read it. I would have considered my life incomplete, if I had not read it. As a thirteen year old I was moved by the story as I imagined by my Dad being separated from me through my growing up years.
And then as I sat down to write this post I am reminded of two young people that I had come to look upon as my own children that I would probably never get to see again. In a strange way life has cast me in a condition similar to that of the Kabuliwala.
The sad difference though is that Abdur Rahman, the Kabuliwala's daughter probably missed her father just as much her father missed her. That must have made the pain more unbearable for the father. I have been mercifully spared of that agony.
Nanni....Namaskaram...
The mastery of a writer over his craft lies in his or her ability to dive into the depths of the minds of his characters. And present them in a way that makes the reader identify with the protagonists. It is manipulative, in a nice way of course most of the time. And Bond is a master of that.
Bond's mastery was in full display in the lesson that I helped my son with last night, The Meeting Pool. Rusty, the main protagonist, comes back to a pool that had been a memorable part of his childhood. He and his two friends, Anil and Somi, had spent many years enjoying the innocent pleasures that the pool afforded.
A full ten years later he lands up there, keeping what the author describes as "his part of the pledge" to be back with his friends - only to find that the other members to the compact were not there. The passage of time seemed to have not only obliterated all memory of the pledge from the minds of his friends, but also changed the course of the stream that made the pool as much as it had the "course of the lives" of his friends.
A disappointed Rusty then sees a group of boys splashing and having fun in the river. And then the author says, "(H)e did not really see them. His mind was romping with joy as he saw Anil and Somi splashing about in the shallows of the secret pool."
As I explained the story to my twelve year old son, weary from an evening full of preparation for his exam, I noticed a wistfulness in his sleepy and weary eyes. "That is how I will feel when my friends and I grow up, Dadda?" he asked me, as he yawned and dropped off to sleep. That is the power of a master writer.
In a similar situation would many of us not react like Rusty? The happy days of the past are frozen in our minds like a framed picture. And we wish that the protagonists of that past would just remain as they were. Just like we would not like our children to ever grow out of their toddler days.
As I read through the story I was reminded of another great story by another master craftsman, Tagore's Kabuliwala. In the Kabuliwala's mind his little girl had not grown up until he met the now all grown up Mini. Do read it. I would have considered my life incomplete, if I had not read it. As a thirteen year old I was moved by the story as I imagined by my Dad being separated from me through my growing up years.
And then as I sat down to write this post I am reminded of two young people that I had come to look upon as my own children that I would probably never get to see again. In a strange way life has cast me in a condition similar to that of the Kabuliwala.
The sad difference though is that Abdur Rahman, the Kabuliwala's daughter probably missed her father just as much her father missed her. That must have made the pain more unbearable for the father. I have been mercifully spared of that agony.
Nanni....Namaskaram...